Consider the hat, a practical object to keep out the chills, to keep stray hairs from our food, to identify a stranger in a crowd as someone who can help. An object of adornment; to display our own level of sartorial sophistication, to stand out in the crowd or to blend in. A home, a place of work, a hidey-hole.
That is if you are a Rabbit.
Rabbits and hats seem to me to go together like port and Stilton, tea and cake, donkeys and carrots. They have a special relationship.
From the magician’s assistant to the very material of a hat, they are bound in a co-dependent relationship, which mostly goes unsung.
If anyone should consider themselves an expert on matters related “hat”, they would surely only benefit from a frank discussion with a rabbit. A rabbit would look at a hat with a much more culturally rounded view; whereas we might think “what would go with my outfit”, they might think “this would make an excellent home” “this one has a perfect ratio of hiding space to aesthetic appeal” “that one is a delightful whimsy” “the quality of that fur is remarkable”
The purpose of this blog is to consider the hat, in all its facets, to look back and forward, to investigate the milliners who inspired and who inspire now, to look at customs, ceremony, techniques, and possibly occasionally to look at their suitability as abodes.
*I can't speak French, I just like the way those words sound together. According to google translate "Lapin aux Chapeau" means "Rabbit Hat", which I quite like too, although it doesn't really make sense. In an ideal world I'd like it to mean "rabbits with hats", "rabbits in hats" or "rabbits and hats".